Sacred Christmas Choral Music

This beloved 15th-century French carol is beautifully arranged for an emerging tenor-bass choir to accommodate changed and unchanged voices. With unexpected harmonic modulations in the middle section, it

Hark the Herald Angels Sing; O Come All Ye Faithful and Angels We Have Heard on High are reworked into a mash-up arranged perfectly for middle school voices. A quick learn that

Two short contrasting movements may either stand on their own or combine into one longer setting. The Gloria setting is upbeat, rhythmic, and fanfare-like, while the Alleluia is quiet, introspective and set

Here's a vibrant, rhythmic setting of PERSONENT HODIE that expresses the tune in compound meter, resulting in a joyful energy for the singers. The optional hand drum and finger cymbals complement the

Using the Mixolydian scale rather than a conventional major scale, this rhythmically charged original setting of the Gloria text is written for the developing choir and expands into three parts. With the

Jolly and jaunty, rhythmic and fun, this energetic Celtic setting of the traditional English carol is sure to be a holiday favorite for your choir. Accessible ranges and a supportive accompaniment make this

Especially designed for young tenors and basses with changing voices, this arrangement offers the option to sing in unison throughout or to add the written parts on the third verse that begin in canon and

This exciting new arrangement of a holiday favorite has a contemporary jazz feel fueled by the shifting meters throughout. The lively and fun piano accompaniment can be enhanced with the optional triangle,

Options abound in this flexible arrangement of the traditional carol for either treble or tenor-bass voices. Sing in unison, two, or three parts, in either German or English, a cappella or with the optional

This favorite carol is presented in an arrangement designed with changing voice emerging tenor-bass singers in mind, and they are sure to love it! The melody is shared between the voices, and the drum-motif

The beloved Austrian carol is cleverly arranged to break up the melody between the two voice parts to keep the ranges small for changing and developing voices. Some interesting harmonic shifts and

This work is built around the Latin Hodie Christus natus est text (Today Christ Is Born) and the Venite Adoremus from Adeste Fideles (O Come, All Ye Faithful). The

Your tenors will especially love this lighthearted doo-wop a cappella setting of the traditional Angels We Have Heard on High Christmas carol. Fun to sing for all voice parts - add some finger

Pealing like bells in an antiphonal motet, this quasi-canonic arrangement of the French carol is so fun to sing. Short melodic fragments layer in an a cappella setting with tambourine that builds to a

This lively and singable version of the traditional English carol shares the melodic material within the textures of the full ensemble. The piano accompaniment brings another voice to the texture while

Dating from the 16th century, the Coventry Carol is one of the most beautiful carols in the English language. This modern arrangement stretches the usual time signature to 4/4 with syncopation,

Welcome the Christmas season with this festive original work for two-part treble or tenor-bass voices! Accented and vigorous, this a cappella setting in compound meter is the perfect way to open a concert

Easy and absolutely beautiful for a cappella voices, this setting of the beloved Latin Christmas text is a succinct and lyrical selection that will create a moment of wonder in your concert or worship

Clever and concise, these accessible arrangements of I Saw Three Ships and We Three Kings are perfect for the unchanged voices in your choir or tenor-bass ensemble. Ample unison,

This beautiful addition to the treble repertoire utilizes the time-honored Latin Nativity text but can be performed as a lovely concert work at any time of year. Singers will appreciate the rich

This rhythmically charged arrangement of the well-known French carol opens and closes with new melodic material which is also used as a bridge between sections. The familiar tune receives a fresh treatment

Henry Wadsworth Longfellow's poem I Heard the Bells on Christmas Day receives a completely new original setting in this lovely piece for young treble choirs. Lyrical lines, flexible text, and

Both haunting and hopeful, this 15th century French carol setting affords emerging singers opportunities to develop musicianship through colorful tone development and emphasis on the text. Sung in English,